By Lennie Niehaus
One of many world's preferred jazz duet books. Designed for sax, yet appropriate for many treble clef tools. very hot with lecturers as the Duets are hip and enjoyable to play! Please observe: duets are written for two Eb saxes or 2BB (not one in every of each). every one tune at the CD is recorded in 2 keys to facilitate 2 altos or 2 tenors.
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Jazz Conception for Saxophone Duets
One of many world's most well liked jazz duet books. Designed for sax, yet appropriate for many treble clef tools. highly regarded with academics as the Duets are hip and enjoyable to play! Please word: duets are written for two Eb saxes or 2BB (not certainly one of each). every one tune at the CD is recorded in 2 keys to facilitate 2 altos or 2 tenors.
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- Jazz Conception for Saxophone Duets
- How I Escaped My Certain Fate: The Life and Deaths of a Stand-Up Comedian
Extra resources for Jazz Conception for Saxophone Duets
Example text
It is difficult to pigeonhole the rarely bettered bone-dry stealth bombs of Dave Allen, the variety-circuit shtick of Les Dawson, the snug-bar surrealism of Chic Murray, the art-house proto-Alternative Comedy of John Dowie, the punk poetry of John Cooper Clarke and the storytelling folk-singer comedians Billy Connolly, Max Boyce, Jasper Carrott and Mike Harding. So, for the sake of simplicity, I will ignore them. ) Another conveniently ignored factor in the development of the Alternative Comedy scene is economics.
I understand from the newspapers that teenagers spend an average of nine hours a week watching internet pornography. Are they supposed to find time to read as well now? Perhaps they are all experts at multitasking. As I understand it is known. Nonetheless, my editor feels that for many potential readers today’s full-spectrum dominance of stand-up comedy across all media, in the form of panel shows, top-selling DVDs, live stadium gigs and cash-in books, might be something they take for granted. It was not ever thus, and apparently some context is necessary else these pages appear as nothing more than ‘the demented ramblings of an inexplicably bitter man’.
Nevertheless, the Swindon Advertiser recently voted him Swindon’s twenty-ninth most famous person, beating XTC’s Dave Gregory at number 34. Roger gave me loads of gigs early on in tiny clubs he ran in south London, and I am eternally in his debt. Not financially though, if I could just make that clear, as I understand his paltry savings largely disappeared in the 2009 crash. In between commitments to the double act I did hundreds of stand-up gigs a year on the circuit, which was always my principal creative outlet, and usually knocked out a new solo show for Edinburgh and in theory beyond, although the low-level, solo comedy show touring network of today didn’t exist.