By Saleel Nurbhai, K. M. Newton

This is often the 1st research to argue that Jewish Mysticism motivated not just her Jewish novel, Daniel Deronda, yet all of George Eliot's novels. The reader is left with a really various George Eliot from that assumed via so much prior feedback. notwithstanding earlier reviews have tried to qualify the still-dominant view that Eliot is firmly part of the life like culture, this learn is going extra by means of demonstrating cohesive mythic constitution with its foundation in Jewish mysticism is identifiable in her fiction.

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One solution to this problem - the one we believe Eliot adopted - is to accept Feuerbach's demythologising critique of religion, but then to go on to remythologise on a new foundation. Feuerbach argued that the essential content of Christianity, and by extension any other religion or set of metaphysical beliefs, was human feeling projected into objectivity: Religion is human nature refected, mirrored in itself . . Where, therefore, feeling is not depreciated and repressed, as with the Stoics, where existence is awarded to it, there also is religious power and signifcance conceded to it, there also is it already exalted to that stage in which it can mirror and refect itself, in which it can project its own image as God.

Yet more polarisation of this kind exists in Silas Marner. M. com - licensed to Universitetsbiblioteket i Tromsoe - PalgraveConnect - 2011-03-11 3s 39 good and evil. l2 Dunstan is the evil infuence - an impulsive gambler who encourages the same instinct in Godfrey, who must then rely on chance to conceal both his pocketing of rent money and his frst marriage. Though initially he profts from chance, the good angel in the shape of conscience proves stronger. Again, this device of confict and tension underlies the charac­ terisation of Maggie Tulliver.

M. com - licensed to Universitetsbiblioteket i Tromsoe - PalgraveConnect - 2011-03-11 42 Kabbalistic Philosophy and the Novels 43 I will never fy! Never forsake that chief half of my soul Where lies my love. (SG, p. l23) These cases of duality are not as particular as in Eliot's Jewish novel, but still appear to have their origins in the same philosophy. Adam's and Dinah's union achieves a wholeness in which male and female are incorporated into a single unit. Such unions form one category of male and female relationships within Eliot's novels.

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