By Mark Roseman

This can be the 1st English-language choice of essays on sleek German background with a generational topic. It analyzes the origins and impression of new release clash from the eighteenth century to the Sixties scholar revolts. It provides to our realizing of generations as ancient phenomena and elucidates why so usually in smooth German background iteration clash has overshadowed type clash. It addresses the generational roots of nationwide Socialism, and can pay specific consciousness to gender and the advance of East German society.

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Here again, Reulecke is very suggestive, outlining a whole range of cultural, social and psychological factors, many of which we have already encountered in the earlier pieces. Once again, youth figured as a projection of hopes for national unity amidst fears about the fragility of the nation. Now, however, the fears were centred far more on social conflict than on regional particularism. The existing political system did not seem able to integrate the working class, a fact which led the bourgeoisie to feel increasingly powerless.

Getting on for half of Weimar's young people were organised in some youth group or other and many of these groups bore at least some hallmarks of a common youth culture. Youth was increasingly perceived (and increasingly perceived itself) as a separate entity at odds with Weimar society. e. extending from the adolescents of the post-war period up to those who had fought in the war and returned to Weimar society in their early to mid-2os. 38 Was it possible, then, that, even if the 'front generation' was a myth, wartime and post-war experience had forged a distinctive cohort out of those too young to have served at the front?

Introduction 17 policy Reulecke describes, of youth as a dependent life-phase requiring intensive nurturing and protection from negative social influences. In the Wilhelmine period, just as in the Vormdrz, these demographic and social changes were the backdrop to a process of 'imagining' a youthful identity into being — a process which, just as in the Vormdrz, was also shaped by the influence of patriarchal structures, by the nature of the German bourgeoisie and by fears about the fragility of national unity.

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