By Nigel Blundell
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The who is Who of Nobel Prize Winners is a one-stop resource of targeted details at the women and men who earned the Nobel Prize throughout the twentieth century. geared up chronologically by way of prize, each one huge article includes in-depth info at the laureate's existence and occupation in addition to a specific checklist of his or her courses and biographical assets at the person.
One of many world's most well-liked jazz duet books. Designed for sax, yet compatible for many treble clef tools. extremely popular with lecturers as the Duets are hip and enjoyable to play! Please observe: duets are written for two Eb saxes or 2BB (not one in every of each). each one tune at the CD is recorded in 2 keys to facilitate 2 altos or 2 tenors.
Truth or Fiction: technology Tackles fifty eight well known Myths through the Editors of clinical American
Did NASA relatively spend thousands making a pen that may write in area? Is chocolate toxic to canines? Does pressure reason grey hair? those questions are only a pattern of the city lore investigated during this booklet, truth or Fiction: technological know-how Tackles fifty eight well known Myths. Drawing from medical American’s “Fact or Fiction” and “Strange yet actual” columns, we’ve chosen fifty eight of the main superb, attention-grabbing, beneficial and simply simple wacky issues faced by means of our writers through the years. each one short article uncovers the reality in the back of daily mythology, beginning with part One, “In the Animal Kingdom,” the place we learn a few of the extra outlandish claims approximately our fellow earthly population, equivalent to even if elephants particularly keep in mind every little thing and even if a cockroach can dwell with no its head. different sections disguise copy, the surroundings, expertise and private and psychological overall healthiness. whereas the solutions to a few questions, akin to no matter if bogs particularly do flush within the other way south of the Equator, may well merely serve to elevate your Trivial Pursuit wisdom, others, corresponding to no matter if to pee on a jellyfish sting or wake a sleepwalker, may possibly turn out to be useful. even supposing this publication represents a fragment of circulating folks knowledge and concrete mythology, we are hoping that it’s an stress-free fraction and that it encourages you to perform a little debunking your self.
- Nordic Exposures: Scandinavian Identities in Classical Hollywood Cinema
- Fact of Fiction: Science Tackles 58 Popular Myths
Additional info for Bizarre and Eccentric: Weird People and Extraordinary Lives
Three-color Technicolor, first successfully launched in Walt Disney animated shorts like The Three Little Pigs (1933) and costume-film features such as Becky Sharp (1935), more accurately replicated the color spectrum and made possible the firm’s subsequent “Glorious Technicolor” successes of the 1930s and 1940s. ” This stone tower is flanked on both sides by tall timber fences with spiked points, suggesting a cavalry fort in an American frontier Western. A subsequent scene of an outdoor banquet feast shared by Vikings and Indians evokes school textbook tableaux of the first American Thanksgiving.
Racializing vinland 37 two Scandinavian/American Whiteface Ethnic Whiteness and Assimilation in Victor Sjöström’s He Who Gets Slapped w hile the viking appropriated the vinland sagas to shore up biological and essentialist concepts of Nordic whiteness in the “discovery” of America, other silent-era films in 1920s Hollywood cinema engage more directly with Scandinavian whiteness. As this chapter argues, He Who Gets Slapped selfconsciously allegorizes and “makes strange” Scandinavian racial and ethnic identity through the auteurist sensibilities of its Swedish émigré writer-director, Victor Sjöström.
Within a political climate of zealous jingoism, anything resembling a too-German affiliation was marked as potentially anti-American and treasonous. ”16 The cryptic strangeness of Scandinavian-immigrant foreign-language newspapers, fraternal societies, and dual-language practices smacked of possible German sympathies, even collaboration. Norwegian, Swedish, and Danish ethnicity also scandinavian/american whiteface 45 remained under an ambiguous cloud of potentially “un-American” difference even in the immediate aftermath of the war, with its Red Scare and Palmer Raids targeting Bolsheviks, organized labor, and all perceived foreign radical threats inside the nation’s borders.