By Dean MacCannell

Lengthy considered as a vintage, The vacationer is an exam of the phenomenon of tourism via a social idea lens that encompasses discussions of authenticity, low and high tradition, and the development of social fact. It brings the worries of social technology to an research of go back and forth and sightseeing within the postindustrial age, within which the center type bought rest time for overseas trip. This variation contains a new foreword via Lucy R. Lippard and a brand new afterword by way of the writer.

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Consciousness and the integration of the individual into the modern world require only that one attraction be linked to one other: a district to a community, or an establishment to a district or a role to an esta~lishment. Even if only a single linkage is gr~sped in the immedl~te present, this solitary link is the starting point for an endless spherIcal system of connections which is society and the world, with the individual at one point on its surface. 3 The Paris Case: Origins of Alienated Leisure IN Paris, at the turn of the present century, sightseers were given tours of the sewers, the morgue, a slaughterhouse, a tobacco factory, the government printing office, a tapestry works, the mint, the stock exchange, and the supreme court in session.

Institutions are fitted with arenas, platforms and chambers set aside for the exclusive use of tourists. The courtroom is the most important institution in a democratic society. It was among the first to open to the outside and, I think, it will be among the first to close as the workings of society are increasingly revealed through the opening Simmel Gesellschaft distinction. of other institutions to tourists. The New York Stock Exchange and the Corning Glass factory have specially designated visitors' hours, entrances and galleries.

His mind is stimulated by the differences between a momentary impression and the one which preceded it. Lasting impressions, impressions which differ only slightly from one another, impressions which take a regular and habitual course and show regular and habitual contrasts-all these use up, so to speak, less consciousness than does the rapid crowding of changing images, the sharp discontinuity in the grasp of a single glance, and the unexpectedness of onrushing impressions. These are the psychological conditions which the metropolis creates.

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