By Kim E. Becnel, Harold Bloom
This sequence conjures up scholars to jot down compelling essays on nice authors and their works through encouraging their educational inquisitiveness and sprucing their critical-thinking abilities.
Read Online or Download Bloom's How to Write About George Orwell (Bloom's How to Write About Literature) PDF
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Extra resources for Bloom's How to Write About George Orwell (Bloom's How to Write About Literature)
Sample text
In 1984, Oceania creates a continuous present so that the citizens cannot criticize them. to revise the past. as past keeps citizens completely off balance. To take one example, when Oceania shifts to being at war with Eastasia, no explanation is made. The official rhetoric simply changes mid-spiel and past documents are revised to match. The political speech “had been proceeding for perhaps twenty minutes when a messenger hurried onto the platform and a scrap of paper was slipped into the speaker’s hand.
Taken together, Animal Farm and 1984 demonstrate that our perceptions of right and wrong, good and evil, and fairness and injustice are not entirely personal or internal notions; how we understand the world is greatly determined by cultural and historical context that we help to create through our experiences, memories, and stories. Even more than that, our participation in the creation of a communal narrative gives us the power to shape that narrative, and in turn, our destinies and our world.
Not me! Julia! I don’t care what you do to her. Tear her face off, strip her to the bones. Not me! Julia! ” (236). Faced with a similar situation, Julia also chooses to sacrifice Winston. When they meet on the street after they have both been released from prison, Julia speaks for the both of them: “You think there’s no other way of saving yourself and you’re quite ready to save yourself that way. You want it to happen to the other person. You don’t give a damn what they suffer. All you care about is yourself” (240).