By Mark Swenarton, Tom Avermaete, Dirk van den Heuvel

In the a long time following international conflict , and partially according to the chilly conflict, governments throughout Western Europe set out bold programmes for social welfare and the redistribution of wealth that aimed to enhance the typical lives in their voters. a lot of those welfare kingdom programmes - housing, colleges, new cities, cultural and leisure centres – concerned not only development yet a brand new method of architectural layout, during which the welfare goals of those state-funded programmes have been delineated and debated. The impression on architects and architectural layout was once profound and far-reaching, with welfare country tasks relocating centre-stage in architectural discourse not only in Europe yet worldwide.

This is the 1st e-book to discover the structure of the welfare kingdom in Western Europe from a global standpoint. With chapters protecting Austria, Belgium, France, Germany, Italy, The Netherlands, Sweden and the united kingdom, the booklet explores the advanced position performed by means of structure within the formation and improvement of the welfare nation in either idea and perform.

Themes include: 

  • the function of the outfitted atmosphere within the welfare nation as a political venture
  • the colonial measurement of ecu welfare kingdom structure and its ‘export’ to Africa and Asia
  • the function of welfare country initiatives in selling buyer tradition and fiscal growth
  •  the photo of the collective produced by means of welfare country architecture
  • the position of architectural innovation within the welfare state
  •  the function of the architect, in place of building businesses and others, in picking what used to be built
  • the courting among architectural and social theory
  • the function of inner institutional critique and the counterculture.

Contributors contain: Tom Avermaete, Eve Blau, Nicholas Bullock, Miles Glendinning, Janina Gosseye, Hilde Heynen, Caroline Maniaque-Benton, Helena Mattsson, Luca Molinari, Simon Pepper, Michelle Provoost, Lukasz Stanek, Mark Swenarton, Florian city and Dirk van den Heuvel.

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Extra resources for Architecture and the Welfare State

Example text

A. Graf, Otto Wagner. , Vienna, Cologne, Graz: Böhlau Verlag, 1985, II: 640–647. It was published in English in 1912 as ‘The Development of a Great City’, by Otto Wagner: Together with an Appreciation of the Author by A. D. Hamlin, Architectural Record, 31 (New York, 1912), 485–500. 18 O. ’ Arbeiter-Zeitung, 24 October 1923, 6. 19 Strnad’s project was published in Das Kunstblatt (1924): 110. It seems curiously reminiscent of John Nash’s 1811 design for Regent’s Park in London. 20 For the pre-war history of the Terrassenhaus, see R.

Gradually, communal housing construction was phased out in favor of cooperative housing development. 29 By the mid-1960s, in Vienna as elsewhere, a new generation of architects was emerging, among them Hans Hollein, Walter Pichler, Raimund Abraham, and Wolf Prix, who had all been educated in Vienna after the war and then spent time abroad (Pichler in Paris, the others in the United States and the UK). Associated with Günther Feuerstein’s antiacademic clubseminar at the Technical University, in which the anti-functionalist critique of modern architecture took shape in Vienna during these years, this group constituted an avant-gardist movement that gained traction in the slipstream of the international student movement and groups such as the Vienna Actionists, Superstudio, and Archigram (Peter Cook called them ‘The Austrian Phenomenon’ in Experimental Architecture, 1970).

Heralded at the time as red superblocks turned green (garden) megastructures, Glück’s terraced ziggurats actually have important (although largely unrecognized) roots in inter-war housing models developed in Red Vienna. 36 Glück’s megastructures – with their rich supply of leisure facilities (in addition to the rooftop swimming pools and saunas, there were tennis courts, and other sport facilities, mini golf, party rooms, and shops) – can be understood as refashioning the proletarian Wohnkultur, which informed the interwar projects, for postwar consumer culture.

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