By Nick Rennison
An informative, full of life consultant in the course of the wealthy mythology of Robin Hood, throughout all mediums
Everyone understands the tale of England's maximum people hero, the outlaw who robbed from the wealthy and gave to the poor. This hugely unique ebook starts off with the hunt for the old Robin, looking at the applicants for the "real Robin Hood" who were proposed through the years, from petty thieves to Knights Templar, ahead of relocating directly to research the various methods in which he has been portrayed in literature and onscreen. He begun because the hero of dozens of past due medieval ballads, seemed in performs by means of contemporaries of Shakespeare, and within the Romantic period used to be reinvented via Walter Scott as a Saxon champion within the fight opposed to the Normans. in the course of the nineteenth century, Robin Hood emerged as a hero in children's literature, whereas extra lately he has been portrayed as every little thing from proto-socialist guy of the folk to anarchist thug. within the cinema he installed an visual appeal as early as 1908 and Douglas Fairbanks after which Errol Flynn grew to become him into the common hero of Hollywood swashbucklers. within the last 20 years, Kevin Costner and Russell Crowe have supplied their very own very varied interpretations of the nature. at the small display, Robin has been the hero of part a dozen television exhibits from the Nineteen Fifties sequence starring Richard Greene, which used many writers blacklisted by way of Hollywood, through the well-remembered Robin of Sherwood within the Eighties, to the new BBC sequence. Robin Hood remains to be greatly with us, because the topic of photograph novels and computing device video games. Robin is an archetypal hero who, it kind of feels, can by no means die. This enticing booklet charts his existence up to now.
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Extra info for Robin Hood: Myth, History & Culture
Example text
All of a sudden he started doing this strange-sounding music, almost overnight. " You can hit anything, any kind of chord. Like John Cage playing the shit he's playing, making all them strange sounds and noises. Music is wide open for anything. " Like, he'd be playing "My Funny Valentine" in a major key and it's supposed to be 94 played in D minor. But he would just smile that sweet smile of his and keep doing what he was doing. Mingus was something else, man, a pure genius. I loved him. Anyway, during the summer of 1946-late August I think-Billy Eckstine's band came to Los Angeles.
On the first day of rehearsal, everybody showed up but Bird. We waited around for a couple of hours and I ended up rehearsing the band. Now, opening night, the Three Deuces is packed. We ain't seen Bird in a week, but we'd been rehearsing our asses off. So here this nigger comes in smiling and shit, asking is everybody ready to play, in that fake British accent of his. " I tell him. He nods, counts off the beat and plays every motherfucking tune in the exact key we had 102 rehearsed it in. He played like a motherfucker.
Sonny Criss, an alto player, used to sit in, and Art Farmer, Red Callender, the bassist, and Red's protege, that crazy, beautiful motherfucker, Charlie Mingus. Charlie Mingus loved Rird, man, almost like I have never seen nobody love. Maybe Max Roach loved Bird that much. But Mingus, shit, he used to come to see and hear Bird almost every night. He couldn't get enough of Bird. He also liked me a lot. But Mingus could play the bass and everybody knew when they heard him that he would become as bad as he became.