By J. Cheryl Exum
Plotted, Shot, and Painted stakes out new territory for feminist biblical feedback. It considers what occurs to biblical girls in pop culture, in artwork and in movie, and it foregrounds questions about how gender pursuits impact interpretation and in regards to the roles and obligations of commentators and readers. This moment revised version comprises an extra bankruptcy, ’Lot and his Daughters’, and an increased bankruptcy on Delilah. Exum’s mastery of biblical scholarship, movie feedback, feminist conception, and an enormous literary and creative repertoire is overwhelming ... a most excellent paintings of research and significant considering ... The booklet introduces the reader to an awfully wealthy number of severe studies, which a long way transcends the constraints of traditional biblical scholarship. Francis Landy, Prooftexts ... a pleasure to read-still realized, but additionally witty and passionate. here's a new type of biblical feedback. we're speaking right here of items that actually topic, issues that experience brought on damage to ladies and likewise to males, and issues that may be made greater ... it really is approximately cinema, paintings, literature, well known tune, and pornography. In different phrases, it areas the Bible precisely the place it may be, on the center of our cultural event from ’high’ paintings to ’low’ paintings ... David Jasper, Biblical Interpretation ... crucial for all taken with literary, feminist, and cultural readings and illustration of biblical texts. W. Lee Humpheys, spiritual stories assessment
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Additional info for Plotted, Shot, and Painted: Cultural Representations of Biblical Women
Sample text
3). ’ suggests that someone else is looking too. The woman is focalized through the male gaze: …and he saw a woman bathing, and the woman was very beautiful. How does David, through whose eyes we see the woman’s body, react to what he sees? The sight of Bathsheba’s body arouses his desire, and he acts on it: he sends for her and has sex with her. Lustful looking is the prelude 16. Looking at the female body is a cultural preoccupation for both men and women. Women look at women, as the genre of the fashion magazine—the how-to manual for capturing the gaze—well illustrates.
As a result of these and other distortions of the story line, nothing that happens later in the film makes much sense. In particular, the disasters that befall David’s house now appear arbitrary and accidental rather than as having some connection to his sin and his punishment in kind. Though Bathsheba is not clearly guilty of planning the affair as in David and Bathsheba, she is nonetheless complicit in 6. Paramount Pictures; produced by Martin Elfand; directed by Bruce Beresford; and staring Richard Gere.
Scherzendes Paar has only one, the viewer. The artist both invites the voyeuristic gaze by exposing the woman (his wife) and at the same time implicitly criticizes it: David ought not to be looking; the viewer of Scherzendes Paar is chided for it. ) of the paintings similar, it is easily confused: in the museum catalogue for the 1995 exhibit, the photographs of the paintings appear on the same page with the titles reversed. Bathsheba Shot Our gaze does not permit the naked Bathsheba to leave her bath or the canvas.