By Lynn Darling
A robust, lyrical memoir of self-discovery jam-packed with heat and wry humor—a e-book that mixes the soul-baring perception of Wild, the profound knowledge of Shop category as Soulcraft, and the advert venturous spirit of Eat, Pray, Love
When her college-bound daughter leaves domestic, Lynn Darling, widowed greater than a decade previous, unearths herself by myself and completely misplaced. Freed of her parental obligations, she has no thought what she desires or maybe who she is. trying to find solutions, she leaves her house in ny urban and strikes to a cranky little residence in the course of the Vermont woods, her purely partners, a brand new puppy and a compass. There she hopes to advance a feeling of direction—both within the woods and in her life.
As she unearths new how you can wander away in her personal yard, Darling meditates on her prior and at the demanding situations that getting older poses to like, work—not to say fashion—and the best way she sees herself. She has simply started to chart a brand new path for the longer term whilst an unforeseen setback unsettles her newfound balance.
With infrequent perception and noteworthy honesty, Out of the Woods reveals how honing the talents of navigation—literal and metaphorical—smoothed one woman's direction throughout the asymmetric process existence. it's a tale instantly common and deeply personal—in the phrases of author Geraldine Brooks, "both a compass and a manifesto for navigating the often-treacherous switchbacks of the second one half life."
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Extra resources for Out of the Woods: A Memoir of Wayfinding
Example text
It would also mean disregarding the fact that while, on the one hand, it is only in death and in renouncing linguistic symbolization that the transcendent, overwhelming experience of unity can fi nally and fully be achieved, on the other hand Ovid did, in his poetry, create linguistic fantasies that made alternative realities possible.
He is allowing it to speak out of him” (IL 92). In this act of becoming, the Child shows Ovid a path to “drive out my old self and let the universe in” (IL 96). Ovid’s plan of educating the Child to speak encounters the superstitious skepticism of the villagers who fear his demonic powers. During a fever, in his delirium, the Child utters for the fi rst time a human word; this causes the family of the village’s chief, Ryzak, with whom Ovid and the Child are staying, to fear that he has snatched one of their souls.
In Ovid’s Metamorphoses, Tiresias answers Liriope’s question as to whether her son Narcissus would live a long life with the prophetic but obscure reply that he will live, as long as he does not come to know himself (“Si se non noverit”; Met III, line 348, pp. 148–149). Narcissus—whose fate is the agony of unrequited desire that leads him to distraction from the moment he gazes upon himself, and the anguish of unrequitable desire that leads him to destruction from the moment he recognizes himself in the face of the beloved—must be denied self-knowledge if he is to live and be sane.