By Phil Ramone, Charles L. Granata
Sinatra. Streisand. Dylan. Pavarotti. McCartney. Sting. Madonna. What do those musicians have in universal along with their super-stardom? they've got all labored with mythical track manufacturer Phil Ramone.
For virtually 5 many years, Phil Ramone has been a strength within the song undefined. He has produced documents and collaborated with virtually each significant expertise within the company. there's a craft to creating documents, and Phil has spent his lifestyles gaining knowledge of it. For the 1st time ever, he stocks the secrets and techniques of his trade.
Making documents is an engaging glance "behind the glass" of a recording studio. From Phil's exhilarating early days recording jazz and advertisement jingles at A&R, to his first studio, and eventual mythical manufacturer prestige, Phil helps you to take a seat in at the classes that created probably the most memorable tune of the 20 th century--including Frank Sinatra's Duets album, Bob Dylan's Blood at the Tracks, Ray Charles's Genius Loves corporation and Paul Simon's nonetheless loopy in the end those Years.
In addition to being a ringside seat for modern well known track background, Making files is an unheard of instructional at the magic in the back of what tune manufacturers and engineers do. In those pages, Phil deals a unprecedented peek contained in the manner song is made . . . illuminating the inventive notion approaches in the back of essentially the most influential periods in tune history.
This is a ebook in regards to the paintings that's making records--the approach it all started, how it is now, and every thing in among.
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Extra resources for Making Records: The Scenes Behind the Music
Example text
Dah," insists the boy, shaking him. " Silence, immobility on Sen. Gore's part. " Silence. Baby Gene regards his grand/ather with interest, obseroes naively. "Why do you keep your eyes closed? " Sen. Gore, amused, opens his blind eyes, begins sententiously: "Once upon a time . " Dab was a wonderful storyteller; he also made me pay back in full when I was six by getting me to read to him, which I did by the hour for several years. Thomas Pryor Gore. He is seated in his heavy wood Mission rocking chair, now in my bedroom at Ravello.
The Desire and the Succesiful Pursuit of the Whole • 3 3 We met awkwardly in the ballroom. We wore "tuxedos"; girls wore long dresses. An orchestra played such novelties as "The Lambeth Walk" and "The Big Apple:• Also slow fox-trots. nd appears, demanding, if not equal, fair time. I had brought Rosalind to the dance. She was tall and dark and exuberant. We had known each other all our lives. We had been "a couple'~ for several years. We were used to each other in a lowkey, comfortable way. Then the war came and everything changed.
Concentrate your attention, sir, solely upon the ring. " was far in the future that evening when I told Jimmie that I was going to marry Rosalind after I graduated from Exeter. "You're crazy," he said. We went downstairs to the men's room with its tall marble urinals and large cubicles. I wondered what, if anything, he felt After all, men are not boys. Fortunately, our bodies still fitted perfectly together, as we promptly discovered inside one of the· cubicles, standing up, belly to belly, talking of girls and marriage and coming simultaneously.