By Charles Hallé, C. E. Hallé (editor), Marie Hallé (editor)
Sir Charles corridor? (1819-95) was once a German pianist and conductor. on the age of 17 he moved to Paris, the place he spent twelve years learning and appearing, whereas relocating in circles which integrated Berlioz, Chopin, Liszt, de Musset and George Sand. within the innovative 12 months 1848 he moved to London, the place he initiated a sequence of piano recitals, taking part in first in his own residence and later in St James's corridor, between which he gave the 1st functionality in England of the whole Beethoven piano sonatas. In 1849 he moved to Manchester, and after forming an orchestra for a one-off occasion in 1857, he started to supply normal concert events with it, and carried out it till his demise: it really is now the world-famous corridor? Orchestra. during this attention-grabbing publication, edited by way of his son and daughter, Hall?'s autobiography is observed by means of a range of letters and extracts from his diaries.
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Extra info for Life and Letters of Sir Charles Hallé: Being an Autobiography (1819–1860) with Correspondence and Diaries
Sample text
Now and then I was allowed to play in one of the neighbouring small towns, but on the whole my father was against these exhibitions, for which, with great justice, he did not consider me ripe. He felt that it was now time to send me to some great masters for further study in harmony and the piano, and after long debate it was decided that I should first go to Darmstadt to study counterpoint with Einck, the celebrated organist, and then to Paris in order to take lessons from Kalkbrenner. So the chapter of my childhood was closed; a childhood so happy that even now it stands vividly before my eyes, and the recollection of its manifold enjoyments is one of my greatest pleasures.
In spite of the large star that decked his breast, his princely dignity was soon forgotten in the banter of wit in which he good-humouredly joined. I remember one amusing incident, the thought of which provokes my mirth even now. The whole company, prince included, sang in chorus a simple German ditty, ' Der La-la-la-la-Laudon rtickt an' (Laudon advances), repeated innumerably ; the fun consisting in the manner in which the leader (my father) started 22 LIFE OF SIR CHARLES HALLE each repeat, which the whole company had to imitate, now giving it out in full stentorian voice, then in a whisper, now in sentimental adagio fashion, then in humorous dance rhythm, now standing, now sitting and turning their faces to the wall, every change being totally unexpected.
M. H. E 2 52 LIFE OF SIR CHARLES HALLE CHAPTER II 1838-1848 Stephen Heller—His gifts as an improviser—Musical evenings at the Rue d'Amsterdam—Heinrich Heine: his attitude towards music; a rupture and a reconciliation—Richard Wagner in 1839: the fate of ' Christoph Colomb:' subsequent meetings at Heidelberg and Bayreuth—How I heard Paganini—My friendship with Berlioz : his gifts and limitations—Habeneck's historic pinch of snuff—Berlioz as a conductor—Armand Bertin's generosity—My first public concert in Paris—Marriage in 1841: the significance of the number 11— Tour in Germany in 1842—Acquaintance with Mendelssohn : his marvellous memory—Conducting without score—Concert at Darmstadt—A noisy apartment on the Rue Blanche—Delsarte's singing— A galaxy of talent—Ingres and his love of music—Ary Scheffer— My first visit to England in 1843 : Ernst and Sivori—Ernst's solo on the 15s.