By Donald E. Biederman, Charles J. Biederman, Janna A. Glasser Esq., Edward P. Pierson, Scott Sanders, Martin E. Silfen
In keeping with the expanding convergence of applied sciences within the leisure industries, this completely up to date and revised 5th version makes the casebook extra undying. supplying agreement templates overlaying ebook publishing, recording contracts, actor agreements, online game agreements, and net agreements, between others, this new version is extra valuable and illustrative of the company of leisure for attorneys, scholars, and execs than its pageant. Introductions, notes, and situations are totally up-to-date take into consideration fresh adjustments within the undefined. This vintage casebook is key to scholars at legislations faculties through the state and to execs attempting to stay alongside of this ever-changing box of legislations.
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Example text
As the relationship developed, Croce depended on his manager significantly, but the conflict between the artist and the producer does not so completely overbalance the mutuality of their interest as to make management and recording contracts held or controlled by the same interests, as occurred here, in and of itself, determinative of the issues of unfairness and unconscionability. Indeed, it was Kurnit who ultimately arranged for a separate management contract, albeit that the contract with BNB barred the manager from urging the artist to terminate the contracts.
Once the relationship with the defendants resumed in 1971 and the birth of his son in September, Jim’s career began to move. His work was well received and in April 1971, ABC records contracted to manufacture, distribute and sell Croce records. Jim was on the road late in 1971 and 1972 promoting and performing. His career skyrocketed and until September 20, 1973 the future appeared halcyon for all concerned. During 1972 Kurnit represented Croce on matters other than the contracts. On September 20, 1973, after a concert in Louisiana, Croce took off in a private plane.
Kurnit was known to the Croces to be a participant with Cashman, Pistilli and West in their enterprises. The Croces did not enter into any retainer agreement with Kurnit, were never billed by him in connection with the contracts, and aside from the meeting of September 17, received no advice from him concerning the contracts. The contracts that were executed on September 17, 1968 provided that Croce would perform and record exclusively for CP & W, as well as the terms under which all the Croce’s songs would be published and managerial services would be provided for the Croces.