By Gert Buelens
The Jamesian mode of writing, it's been claimed, actively works opposed to an figuring out of how fact, background and gear flow in his texts. Enacting heritage in Henry James argues in its place that James' writing provides an experiential form of wisdom, person who is attained via actively partaking within the strength video games and ethical dramas that spread in the textual content. examining James therefore calls for not only an emotional responsiveness, but in addition a moral assumption of accountability for the act of examining. This booklet locations James' paintings in a clean theoretical context and throws new mild in this such a lot enigmatic of writers.
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Additional resources for Enacting History in Henry James: Narrative, Power, and Ethics
Sample text
Through the critical lenses provided by gay studies, feminism, and the new historicism . . This is to say that recent work departs from a model of Henry James as the worldly intellectual on whom nothing is lost to construct a Henry James whose consciousness, and that of his protagonists, is structured by the cognitive rules and suppositions of an historically specific discourse' ('Henry James in the Nineties', New England Quarterly, 67 (1994), 142). 6 See John Carlos Rowe, The Theoretical Dimensions of Henry James (Madison: University of Wisconsin Press, 1984).
This is to say that recent work departs from a model of Henry James as the worldly intellectual on whom nothing is lost to construct a Henry James whose consciousness, and that of his protagonists, is structured by the cognitive rules and suppositions of an historically specific discourse' ('Henry James in the Nineties', New England Quarterly, 67 (1994), 142). 6 See John Carlos Rowe, The Theoretical Dimensions of Henry James (Madison: University of Wisconsin Press, 1984). For recent feminist readings, cf.
Inexperienced) woman. In this recurring scenario, James's first novel Watch and Ward already establishes a pattern to which he returned time and again, although with interesting variations in plot and character relations. In each case, the courtship-andmarriage motif provides the basic narrative frame, not because James failed to liberate himself from outworn conventions, as an influential segment of criticism on American realism has it, but because, for James (as well as Howells), courtship and marriage illustrate the formation of a new, yet nascent social unit and dramatize the ensuing problems of choice, adequate perception, and the possibility of deception and dependence most forcefully.