By Robert Levy

Ana Pauker, while she is remembered in any respect, is regarded as the puppet of Soviet communism in Romania, blindly imposing the main brutal and repressive Stalinist regime. Robert Levy's new biography adjustments the image dramatically, revealing a girl of exceptional energy, ruled through clash and contradiction way over through dogmatism. Telling the tale of Pauker's adolescence in an more and more anti-Semitic surroundings, her dedication to a innovative occupation, and her upward push within the Romanian Communist stream, Levy makes no try and whitewash Pauker's lifestyles and activities, yet relatively explores each contour of the advanced personality he stumbled on expressed in plenty of newly available archival files.

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Extra info for Ana Pauker: The Rise and Fall of a Jewish Communist

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But one point is beyond conjecture: despite beginning in Moldavia on lands leased by a Jewish tenant contractor (Mochi Fischer), the Great Peasant Revolt ultimately was only indirectly connected to the Jews. 54 The Romanian authorities, who massacred thousands of peasants in their panic-stricken efforts to end the unrest, clearly understood this. ” 57 Hastily enacted legislation again ordering the expulsion of all foreigners from Romania’s villages was immediately carried out with unprecedented zeal.

With no reason whatsoever and led only by unsound hatred . . 20 By the time this manifesto formally protested the policies of each successive government since 1864, Romania had become a symbol for 20 Early Years uncompromising anti-Semitism. 24 This heritage assured a preponderance of anti-Jewish sentiment by the time modern anti-Semitism erupted as a major force of Romanian nationalism and as a corollary to nineteenth-century socioeconomic circumstances. Romanian nationalism was intrinsically connected to one central fact: the lands comprising modern Romania had suffered under foreign domination for centuries and were subjected to successive waves of foreign rule.

I will always have that picture in my mind when the baby died. I seem to see that small room and the corner of the sofa where Ana was sitting, and that soft and burning, burning body. And Ana trying to talk about something else, and the tears from the baby’s eyes, closed and closed only to reopen the next day, blue like the sky in the summer, which, with our help, killed her. I left for Bras¸ov. How much torment can I take? ” 45 But if Marcel or Ana Pauker ever entertained the notion that party involvement demanded too high a personal price, they apparently did so only fleetingly.

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